Posts Tagged ‘1910s’

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When the Yule Log Burns

December 25, 2018

So, uh, hey. It’s been a while.

I’m really sorry for not posting for so long. I’m really sorry for missing Captain Blood Day. I tried to get something together but I just couldn’t do it. But I didn’t want to let Christmas pass without at least one Christmas story. And I’ve only got one, but, as luck would have it, the one story I read was kind of two.

Leona Dalrymple is pretty good at Christmas stories. Jimsy: The Christmas Kid and In The Heart of the Christmas Pines are exactly what Christmas stories should be. When the Yule Log Burns is…also many things a Christmas story should be, and I’m tempted to say that it’s my own fault I didn’t love it. Maybe I would too anxious to get something read and reviewed. Maybe I’ve read too many of these things before. And, you know, I like a predictable Christmas story. But this one (these ones) left me kind of bored. Read the rest of this entry ?

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Spray on the Windows

July 20, 2018

The thing about Spray on the Windows (by J.E. Buckrose) is that I’ve only just admitted to myself, a month and a half after finishing it, that I don’t like it. I feel guilty about that, because it’s not bad. It’s just that Buckrose’s thesis is that no matter how much life sucks, it’s going to be okay if you’re with the person you love, and to prove that thesis, she has to make life suck pretty bad. For most of the book, things are sort of okay, but you know where it’s going, and “how unhappy is everyone going to be?” is my least favorite kind of suspense.

Our protagonist is Ann Middleton, who has just moved to the seaside town of Wodenscar to work for the wealthy and eccentric Mrs. Barrington. Mrs. Barrington has a nephew who Ann would like to marry, and he likes her, too — but not necessarily enough to offer her marriage. Then there’s Ann’s neighbor Stephen Finlay, poor and disgraced and possibly a bit of an obstacle to Ann marrying for money.

You get to stress through her romantic decisions, stress through her married life, and stress through some possibly supernatural deaths and near-deaths. It’s…not that much fun. But I suspect that if I was a little less prone to anxiety, I would have liked it a lot more.

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Fashion Magazines – 1904, 1916, 1922

June 13, 2018

This past week I’ve been a) mainlining Grace S. Richmond books I’ve already read and b) burying myself in early 20th century fashion magazines via Google Books. I thought some of you guys might enjoy the results of b).

My Twitter threads with lots of clipped illustrations, quotes, and a smidgen of commentary:

Take a look and tell me which dresses you’re picturing on which fictional characters.

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The Seed of the Righteous

June 3, 2018

The Seed of the Righteous feels like Juliet Wilbor Tompkins’s entry into the subgenre that includes V.V.’s Eyes, The Clarion, and A Poor Wise Man. But those are about wealthy young people coming to terms with the ethical realities of their situations, and this is about a poor one. Read the rest of this entry ?

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The Girl Crusoes

June 1, 2018

I don’t know how I feel about The Girl Crusoes (by Mrs. Herbert Strang, a pseudonym for the same two guys who wrote as Mr. Herbert Strang). I love a good survival story, which I think means this isn’t one. Also I wish people writing about castaways wouldn’t populate their tropical islands; so often it just seems like an excuse to be super racist. Read the rest of this entry ?

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Why Not?

May 25, 2018

It’s funny how much text sources influence my reading. When I want to read Margaret Widdemer, I always go for The Rose-Garden Husband and The Wishing-Ring Man, and that’s mostly because they’re great, and a bit because each one makes me want to read the other, but it’s also a little bit because they’re on Project Gutenberg. If Why Not? was on Gutenberg instead of Google Books, it would go on my list of favorite Widdemer books. Read the rest of this entry ?

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A Safety Match

May 16, 2018

A Safety Match is like if Ian Hay deliberately set out to write a fun he/she fell in love with his/her wife/husband book minus all of the really knotty emotional scenes, and mostly succeeded. In fact, I’m not sure it’s not on purpose. Skipping past Daphne’s early married life seems like a spoilsport move, but I can see him legitimately not finding that interesting. Skipping past most of her estrangement from her husband…well, I can see me not finding that all that interesting. But when Jack Carr’s secretary sends Daphne home and Hay excises only the part of the conversation that convinces her, I began to get annoyed. He does give us the reconciliation scene, but by then everything is a foregone conclusion, so it’s not that exciting. Actually, nothing is that exciting. There are few surprises in this book. Hay knows all the beats this romance plot is supposed to hit, and he hits them.  Read the rest of this entry ?