Obviously I’m pretty excited about the idea of a miniseries of The Amazing Interlude, but we’ve all been burned by bad adaptations, and I thought it would be cool to have the creator of the project tell us a little more about how she went about adapting the book. I also wanted to give her a platform to talk about it more for an audience that’s read this book and others like than for one that has to be convinced that this is a good story.
Melody: Let’s start by talking about the book. What’s your favorite bit? Was there a scene that first made you start thinking about the story as a movie?
Ayisha: My favourite bit when I first read it as a young teen is the scene where, (not to give too much away, as it’s a pivotal scene), Sara Lee has put two and two together, and is crying face-down on her bed. I remember figuring out the blocking for it as if I were a director working with actors. I didn’t at that point think as far as realistically making it into a movie–that’s just what I’ve always done with books I like. This scene was definitely in my mind when I approached the book again a few years ago to see if it would work as a movie. These days, because I know the book well enough that if I listen to it I know which sentence comes next, my appreciation for different parts has evened out. I have several favourite threads: the interaction of the King of the Belgians with others in the story, the mutual appreciation of men for women and women for men, Sara Lee’s cute attempts to learn and copy languages, the friendship between Jean and Henri. Read the rest of this entry ?