So, A Girl of the Limberlost is only a sequel to Freckles in the way that Alger’s Phil the Fiddler was a sequel to Paul the Peddler, but the text of A Girl of the Limberlost is kind of aggressive about insisting that the reader read Freckles as well, so I did. (The only thing Alger was only ever aggressive about was insisting that a fifteen-cent plate of meat come with a plate of bread.)
So, um…this is where Slippy McGee came from, I guess. It’s really disconcerting to me to see how much Marie Conway Oemler owes to Gene Stratton-Porter. At the same time, though, it’s kind of nice to be able to catalogue all the ways Oemler was better. But this post is not about Marie Conway Oemler, except in the sense that every post on this blog is a tiny bit abut Marie Conway Oemler. It is about Freckles. Read the rest of this entry ?