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	<title>Comments on: Ashton-Kirk, Investigator</title>
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	<description>Adventures in Etextland</description>
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		<title>By: &#187; Pulp Magazine: COMPLETE DETECTIVE NOVEL MAGAZINE, November 1931.</title>
		<link>http://redeemingqualities.wordpress.com/2007/03/05/ashton-kirk-investigator/#comment-1525</link>
		<dc:creator>&#187; Pulp Magazine: COMPLETE DETECTIVE NOVEL MAGAZINE, November 1931.</dc:creator>
		<pubDate>Sat, 19 Apr 2008 19:07:20 +0000</pubDate>
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		<description>[...] of the books is available online. Follow the link above. About Ashton-Kirk, I&#8217;ve found a blogger who has [...]</description>
		<content:encoded><![CDATA[<p>[...] of the books is available online. Follow the link above. About Ashton-Kirk, I&#8217;ve found a blogger who has [...]</p>
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		<title>By: Melody</title>
		<link>http://redeemingqualities.wordpress.com/2007/03/05/ashton-kirk-investigator/#comment-9</link>
		<dc:creator>Melody</dc:creator>
		<pubDate>Thu, 08 Mar 2007 17:31:31 +0000</pubDate>
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		<description>Holmes definitely had style, and it sort of puzzles me because Conan Doyle sort of didn&#039;t. I mean, I love his books, but he&#039;s more of a Watson than a Holmes himself. I was watching one of the Basil Rathbone/Nigel Bruce Holmes movies last night, and thinking about how Holmes is a character who can always transcend what&#039;s actually written or shown.

The Fu Manchu stories sound like a lot of fun, and I see that PG has a few, so I will check them out.</description>
		<content:encoded><![CDATA[<p>Holmes definitely had style, and it sort of puzzles me because Conan Doyle sort of didn&#8217;t. I mean, I love his books, but he&#8217;s more of a Watson than a Holmes himself. I was watching one of the Basil Rathbone/Nigel Bruce Holmes movies last night, and thinking about how Holmes is a character who can always transcend what&#8217;s actually written or shown.</p>
<p>The Fu Manchu stories sound like a lot of fun, and I see that PG has a few, so I will check them out.</p>
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		<title>By: Aaron</title>
		<link>http://redeemingqualities.wordpress.com/2007/03/05/ashton-kirk-investigator/#comment-5</link>
		<dc:creator>Aaron</dc:creator>
		<pubDate>Thu, 08 Mar 2007 03:12:37 +0000</pubDate>
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		<description>I have a book called &lt;I&gt;Rivals of Sherlock Holmes&lt;/I&gt;, collecting short stories about other contemporary detectives. I&#039;ve never gotten around to reading much of it. Holmes became immortal because he had style, which is more than I can say for a fair number of these characters.

One of the reasons I love the Sax Rohmer Fu Manchu shorties is that Nayland Smith and Dr. Petrie, the heroes, are soooo dumb. They&#039;re very serious and they think of themselves as being much brighter than they actually are. In most of the stories they manage to stymie Fu without ever fully grasping all of what he was up to; they win by realizing something is important to Fu (without necessarily knowing why) and keeping it from him, or causing him some sort of professional embarrassment that shames him into withdrawing. I think the virulent &quot;yellow peril&quot; racism of the stories is easier to take because it largely manifests as Fu being both vastly more competent and far more honorable than his white opponents, and he loses not because he&#039;s foolish, but because Smith is such a bonehead that he gets in the way of Fu&#039;s clockwork schemes.</description>
		<content:encoded><![CDATA[<p>I have a book called <i>Rivals of Sherlock Holmes</i>, collecting short stories about other contemporary detectives. I&#8217;ve never gotten around to reading much of it. Holmes became immortal because he had style, which is more than I can say for a fair number of these characters.</p>
<p>One of the reasons I love the Sax Rohmer Fu Manchu shorties is that Nayland Smith and Dr. Petrie, the heroes, are soooo dumb. They&#8217;re very serious and they think of themselves as being much brighter than they actually are. In most of the stories they manage to stymie Fu without ever fully grasping all of what he was up to; they win by realizing something is important to Fu (without necessarily knowing why) and keeping it from him, or causing him some sort of professional embarrassment that shames him into withdrawing. I think the virulent &#8220;yellow peril&#8221; racism of the stories is easier to take because it largely manifests as Fu being both vastly more competent and far more honorable than his white opponents, and he loses not because he&#8217;s foolish, but because Smith is such a bonehead that he gets in the way of Fu&#8217;s clockwork schemes.</p>
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